Advertising Insights

It Looked Fine on My Phone

By Anesa K. Chastain Jones – Advertising Insights with Anesa

Oklahoma’s Choice Weekly

You send your logo to a graphic artist. A few minutes later, the reply comes back: “Do you have a higher-quality version?”

You look at the image on your phone. It looks fine. You can read the name. The colors look right. What, exactly, is wrong with it?

Often, the problem becomes visible when that small image has to do a bigger job. Digital advertising isn’t immune, either. An image that looks acceptable in a small phone preview can appear blurry on a larger screen or when a reader zooms into your digital advertisement. Small lettering, poor contrast and stretched artwork can make the message difficult to read even when no printer is involved.

Those same problems can follow the image into a printed advertisement, a sign or a trade-show banner. Your graphic artist is thinking about all the places your artwork needs to work.

A small phone preview can make a low-resolution image look perfectly acceptable. Open it full-screen, view it on a larger monitor or zoom into an advertisement in the digital paper, and its limitations become easier to see. Edges look jagged. Lettering gets fuzzy. Details disappear.

Those same problems can follow the image into a printed advertisement, a sign or a trade-show banner. Your graphic artist is thinking about all the places your artwork needs to work.

Digital photographs are made of tiny squares called pixels. There needs to be enough information in the image to reproduce it clearly at the size you intend to use it. Enlarging a small image spreads the available information over a larger area. It doesn’t automatically reveal more detail.

Taking a screenshot doesn’t solve that problem. It captures what your screen displays, including its limitations. A screenshot of a logo from a Facebook page may also include unwanted background space or image compression that has already softened the edges.

Repeatedly saving an image with lossy compression can degrade it further. By the time artwork has been downloaded, cropped, forwarded and uploaded again, your artist may be working with a noticeably poorer copy of the original.

Image quality is only part of what makes digital advertising readable.

An advertisement can be sharp and still have lettering too small to read comfortably on a phone. Text may disappear against a busy photograph or a background with too little contrast. Forcing artwork into the wrong proportions can stretch faces, distort logos and make an otherwise professional business look careless.

These are design problems as much as file problems. A layout created for a full newspaper page may need adjustments before it works as a small social media graphic.

That’s why your artist needs to know where the advertisement will appear, along with what you want it to say.

For photographs, send the original image from the camera or phone whenever possible. For logos, provide the files supplied by the person who created your branding. A vector logo can be resized without the pixelation associated with enlarging a small raster image. Common vector formats include AI, EPS and SVG, and some PDFs contain vector artwork.

You don’t have to become a file-format expert. Send what you have and let your artist inspect it. Saving a blurry image inside a PDF doesn’t magically sharpen it.

Sometimes artwork can be improved. A logo may be redrawn, a background cleaned up or a photograph adjusted. But rebuilding takes time, and there are limits to what can be recovered from a poor source. Sharpening cannot reliably restore lettering or details that were never captured.

A little organization can prevent a lot of that work. Keep a folder containing your original logos, brand colors and approved photographs. Preserve the files your designer delivers, even the ones your computer doesn’t readily open. Those may be exactly what the next printer, sign company or graphic artist needs.

When your artist asks for the original, they’re looking ahead to the version your customers will see.

“It looked fine on my phone” is understandable. The goal is to make sure it looks fine everywhere your business puts its name.

ANESA K. CHASTAIN JONES, General Manager/Graphics Director, 918-285-1314, graphics@oklahomaschoiceweekly.com

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